By all means this episode was destined to be weakened for me. The amount of praise I hear for Senor Pink’s backstory is a lot of the praise I’ve heard for Dressrosa, meaning he’s been hyped up. I’ve seen pictures of him with a family and I knew it had to be sad. All of this should have made this episode more expected and less shocking and effective. But, it didn’t. I cried really hard. So, let’s get into that.
Firstly, I find it charming that Senor Pink and Franky, out of respect and understanding of each other’s lifestyles, wanted to do the funniest thing ever, fight with their all and see who stands in the end. Neither of them dodged once, and this was a criticism I thought I had. Every look at Franky and Senor Pink was a joke and a few trading blows, I was waiting for the “real fight” to start. But, in retrospect, that was this entire fight. As hilarious as that is, the respect between the two was really pretty. In the stupidity of their actions was resolve and admirability. I liked the integrity both of them had, the fact that they made a deal that they were willing to accept everything the other had and not play dirty. In the end before the flashback when Franky rose from the dead, Senor Pink had already accepted his death and apologized to Young Master.
Further, there were so many emotions and obligations floating around this scene. Early on, Franky declared both respect towards Senor Pink by refusing to dodge, but also empathy and passion for the Tontatta, refusing to ever allow them to become slaves again. He was betting on his manliness coming out on top for his own sake, for Pink’s sake, and for the Tontatta’s. Later after the immaculate baby buster, Senor Pink looked melancholic to me. He thought he killed Franky, he didn’t know if he would stand and it wasn’t a moment of victory. It was as if he had to do what he had to do and took down a great man, even a touch that he's sad he's the one that lived, he does carry a big burden on his shoulders. In this moment, the harem cheered through their ignorance, and the Tontatta cried as their saviour was mashed into the floor with his weak spot. There was respect, there was passion, there was melancholy, there was sadness, there was celebration, but in this battle there was no hatred or anger. Franky even smiled to tell Senor Pink he was willing to gamble his life on taking his final attack. And there’s likewise respect in the fact that neither held back.
All of this was great, and I teared up twice actually, one was at Pink’s apology to Doffy, but the first time was when Senor Pink was carrying Franky off the tower. He gave a tragically beautiful line that sent shivers through my body:If I can keep flying upwards, I can see Russian… I have a son named Gimlet, too. But unfortunately, gravity persists, I can’t keep flying. I first interpreted it as him saying he would see Russia, in which I had to ask, Russia isn’t in the One Piece universe, meaning it had to be a name. Then I thought he may see Russian and Gimlet if he flew high enough that he could see into the distance. But that was obviously not the intention, when it became clear a second later that he meant heaven, I shook physically. It's a line that placed such an outlandish character instantly into the world of human vulnerability. There is an immense sadness in Senor Pink, a desire to see his loved one’s again which makes me think he actually wants to die, that he wants to lose to Franky and by giving his all and truly losing, he can accept falling and losing Doflamingo his factory. He is hard boiled after all, he never gave up.
The way the scene transitioned from the rain of punches in the present to the rain of his past, denoting the fact that every time it rains he must think about what he lost, was shockingly pretty and it was natural. He fell in love with a woman named Russian and he was never honest with her that he was a pirate. He didn’t want to lose her. But this backfired because it was when their baby died as he was away that she panicked and needed him and called the bank, only to learn he never worked there to begin with. Bitter and hurt she ran and was hit in a freaking mudslide, paralyzed in a vegetative state. And Pink blamed himself for this, his stubbornness, his inability to tell her the truth, his selfishness, that is how he rationalized all the events that went down. But he sincerely loved her, he went to Russian’s side every day trying to hear her voice one more time, trying to make her smile one more time, which is why the hard boiled mafioso put on the same baby bonnet his lost baby wore. The smile of Russian’s with her hollow eyes was a happy moment but one built into the horrific sadness that literally stares us in the face. The sadness that this all happened.
Never doubt Oda’s ability to make us cry. Be it to a dog, to a whale, to a ship, or to a mafioso in a baby outfit. I feel that Senor Pink is a perfect example of the crazy characters Oda can write and the incredible amount of heart that can go into them. Other things to note, the art was suuuper awesome this episode, I loved the shading. And I suppose we should mention Mansherry was key to Doflamingo’s plan but he never got the call that she escaped. He thought even if he lost the factory her ability to “restore things in return for shortening her life” may have been able to salvage it according to Giolla. Seeing the similar but different Hancock-Luffy dynamic with Leo and Mansherry was cute as we got to understand exactly why Leo called the princess such bad things in his naivety, but obviously this was all overshadowed. |